Wednesday, May 11, 2016

Outline for Essay on The Year of Magical Thinking

CPT Outline for Essay on The Year of Magical Thinking

Introduction
l  "Fear is at the root of all forms of exclusion, just as trust is at the root of all forms of inclusion" (Vanier 71).
l  Joan Didion's memoir, The Year of Magical Thinking
l  In the Becoming Human, Jean Vanier states: "Fear is at the root of all forms of exclusion, just as trust is at the root of all forms of inclusion" (71).
l  He is recognizing that fear drives people to exclude others, and that people need to get rid of the fear and accept their situation to become inclusive. The Year of Magical Thinking exmines Joan Didion's life in the year following the death of her husband, writer John Gregory Dunne. The death of Dunne suddenly comes, and afterward, Didion realizes that she cannot accept the loss of her husband even though she prepares his funeral and starts to make the notes about her feelings. She keeps trying to remember the memories with Dunne and she begins to have "magical thinking." For example, she believes that her husband will need the shoes when he comes back home or her wish will bring him back. A year after Dunne's death, their shared memories are decreasingly at the centre of her every day. The truth of the autopsy and the progression of time allows her to get rid of the fear of accepting the loss of her husband. As Jean Vanier expresses in his quote, she now becomes inclusive of it.
l  The death of Didion's husband leads her to exclusion due to her unwillingness to accept the loss of her husband, however, as time passes, she moves past her grief when she accepts the loss of her husband and comes back to the real life to become inclusive.
Body Paragraph One
l  Didion's exclusion begins when her husband suddenly dies on an ordinary night and she realizes that she does not accept the loss of her husband, despite preparing for his funeral.
l  In the late December before Christmas, Joan Didion and her husband, John Gregory Dunne, go to the hospital to see their only daughter, Quintana Roo Dunne. Quintana is hospitalized with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed in the intensive care unit. Before long they arrive home, while her husband is sitting down to dinner, he suddenly dies due to heart attack. He dies shortly after he arrives at the hospital. For 40 years, Didion and Dunne share their lives and work. Even though she prepares the funeral of her husband, she does not accept the death of her husband. She tries, but the grief is not like what she expected it to be. When she is consumed by memories they lived in Los Angeles, she realizes that she enters a state of temporary derangement.
l  "We are all so frightened of losing what is important for us … We are frightened of change" (Vanier 73).
l  "Life changes fast. Life changes in the instant. You sit down to dinner and life as you know it ends. The question of self-pity" (Didion 3).
l  "(A)t approximately nine o’clock on the evening of December 30, 2003, my husband, John Gregory Dunne, appeared to (or did) experience, at the table where he and I had just sat down to dinner in the living room of our apartment in New York, a sudden massive coronary event that caused his death" (Didion 6-7).
l  "I have no memory of sirens. I have no memory of traffic. When we arrived at the emergency entrance to the hospital the gurney was already disappearing into the building" (Didion 13).
l  "I remember thinking that I needed to discuss this with John. There was nothing I did not discuss with John. Because we were both writers and both worked at home our days were filled with the sound of each other's voice" (Didion 16).
l  "Grief, when it comes, is nothing we expect it to be ... Grief is different. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life" (Didion 26).
l  In brief, while her husband is sitting down to dinner, he suddenly dies due to heart attack. Even though she prepares the funeral of her husband, she does not accept the death of her husband which represents the beginning of her denial—exclusion—of her husband's death.
Body Paragraph Two
l  Subsequently, Didion pushes herself further into exclusion due to her "magical thinking."
l  She understands her husband's death with her head, but could not understand with her heart. She starts to believe that her wish will bring her husband back to her, which represents the beginning of her year of "magical thinking." This results in her not being able to give away her husband's shoes since she believes that he will need them when he returns. Even thought she arranges for the autopsy, cremation, and the placement of his ashes, she does not accept the death of her husband with her heart. Several weeks later, Didion avoids to look at the photographs of her marriage that hang in the hallway. When her daughter Quintana wakes from her coma, and Didion tells her about his father's death. Shortly after, Didion suddenly realizes that she faces the possibility of losing her daughter right after the death of her husband. She must believe Quintana will get better because good events are bound to be followed by bad events. She decides to go to the trip with Quintana as the starting point of her new life.
l  "To be open is an enormously risky enterprise … you risk the chaos of loneliness" (Vanier 79).
l  "After that first night I would not be alone for weeks … but I needed that first night to be alone. I needed to be alone so that he could come back. This was the beginning of my year of magical thinking" (Didion 33).
l  "I was thinking as small children think, as if my thoughts or wishes had the power to reverse the narrative, change the outcome. In my case this disordered thinking had been covert, noticed I think by no one else, hidden even from me, but it had been, in retrospect, both urgent and constant" (Didion 35).
l  "People who have recently lost someone have a certain look, recognizable maybe only to those who have seen that look on their own faces. I have noticed it on my face and I notice it now on others. The look is one of extreme vulnerability, nakedness, openness ... These people who have lost someone look naked because they think themselves invisible" (Didion 74).
l  "You will have by now divined that the “hard sweet wisdom” in the last two lines of “Rose Aylmer” was lost on me. I wanted more than a night of memories and sighs. I wanted to scream. I wanted him back" (Didion 75).
l  Didion states her first year after the loss of her husband as her year of magical thinking, such as her wish will bring him back to her. Now, she decides to go to the trip with Quintana to get out of grief, but she fails and the grief becomes worse.
Body Paragraph Three
l  Moreover, she is losing her mind due to the mourning, but she moves one step forward to inclusion when she tries to get rid of grief by joining the convention and reading the autopsy.
l  Her grief starts to turn into mourning. At the end of 2004, Didion agrees to participate in the convention for the New York Review of Books because she believes that it would help get her back to a normal life. However, it reminds her of the memories with her husband again. Sometime after he dies, she speaks to him as if he were there, but she knows that, as a writer, imagining their conversation comes naturally to her. Since he dies, Didion writes the notes about her feeling as a writer. Now, she starts to write the book base on her notes in October 4, 2004. She reads the autopsy report and she realizes that nobody could prevent her husband's death.
l  "To lost the "known" and to move on to the "unknown" can mean a terrible loss for us. To live such loss one needs a great deal of inner strength" (Vanier 80).
l  "That I was only now beginning the process of mourning did not occur to me. Until now I had been able only to grieve, not mourn. Grief was passive. Grief happened. Mourning, the act of dealing with grief, required attention" (Didion 143).
l  "The voice on my answering machine is still John’s. The fact that it was his in the first place was arbitrary, having to do with who was around on the day the answering machine last needed programming, but if I needed to retape it now I would do so with a sense of betrayal" (Didion 153).
l  "Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death … We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes" (Didion 188).
l  "Only after I read the autopsy report did I begin to believe what I had been repeatedly told: nothing he or I had done or not done had either caused or could have prevented his death" (Didion 206).
l  As was previously stated, her grief changes into mourning and she realizes that she is becoming crazy. She tries to live a normal life by joining the convention, however, it makes her worse. After she reads the autopsy report, she accepts that no one is responsible for her husband's death.
Body Paragraph Four
l  Finally, Didion accepts the loss of her husband about a year after the death of her husband, when their shared memories are decreasingly the center of her every day, she gets rid of the fear of accepting her loss of Dunne's death as time passes.
l  About a year has passed since Dunne dies and she buys new Christmas lights to replace the ones that are not working since last year, and they serve as a symbol of her faith in the future. Soon, she realizes that her memory of this day a year ago is a memory that is not with her husband. He is dead. As time passes, Didion realizes that her memories with him are slowly fading. She worries that her memories of their life together will fade, and she feels betrayal.
l  "How easy it is to fall into the illusion of a beautiful world when we have lost trust in our capacity to make of our broken world a place that can become more beautiful" (Vanier 81).
l  "I realized today for the first time that my memory of this day a year ago is a memory that does not involve John. This day a year ago was December 31, 2003. John did not see this day a year ago. John was dead" (Didion 225).
l  "In fact the apprehension that our life together will decreasingly be the center of my every day seemed today on Lexington Avenue so distinct a betrayal that I lost all sense of oncoming traffic" (Didion 226).
l  As time passes, her memories with her husband - Dunne - are slowly fading out and fear of losing memories also disappeared. Eventually, she accepts the death of her husband and becomes inclusive with it.
Conclusion
l  Didion does not accept her husband's death, which leads her to exclusion due to the fear of becoming lonely. However, time allows her to get rid of the grief and to accept the death of her husband, also makes her to become inclusive.
l  In Elisabeth Kubler-Ross' 1969 book “On Death and Dying,” there are five stages of loss and grief. First: "Denial and Isolation," second: "Anger," third: "Bargaining," fourth: "Depression," fifth: "Acceptance." Didion does not accept the loss of her husband even though she prepares for funeral and starts to the magical thinking, such as her wish will bring her husband back. She also calms herself down to make the notes about her feelings. Then, Didion tries to think that good events are bound to be followed by bad events, therefore, this will make her daughter getting better. However, she is becoming crazy because grief changes into mourning. Eventually, after she reads the autopsy, she accepts her husband's death. As time passes, her memories with her husband slowly fade out and fear of becoming alone also disappear. As Jean Vanier's statements say, her mind, or maybe heart, moves from exclusion to inclusion since she faces her fear and accepts the loss of her husband. Everybody pretends not to accept fearful things and excludes them. Therefore, people need to open up their heart to get rid of their fear and accept them.


Work Cited
Didion, Joan. The Year of Magical Thinking. 1st ed. New York: Alfred A. Knopf, 2005.
             Print.
Vanier, Jean. "From Exclusion to Inclusion: A Path of Healing." Becoming Human.
             Toronto: House of Anansi Press Inc., 2008. 69-103. Print.

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